London Fashion Week SS27: what to expect from a season of change

Fashion
Mulberry SS18. Credits: ©Launchmetrics/spotlight
Scroll down to read more

The upcoming season of London Fashion Week will usher in a period of newness. New leadership has taken the helm, a new strategy is underway, and new, or in some cases returning, names on the schedule have tongues wagging. Taking place September 17 to 21, the latest edition will also most notably arrive under the British Fashion Council’s newly introduced ‘BFC 2030: Access, Creativity, Growth’ strategy, which intends to position LFW as a “high-impact growth platform” instead of just a promotional event.

Among the biggest changes to the schedule are the return of Alexander McQueen and Mulberry, alongside Marks & Spencer, which will be making its official LFW debut. At the same time, the BFC is expanding the event beyond the traditional fashion week format through consumer-facing experiences and its freshly created Fashion Britain programme. Collectively, the developments point to an LFW increasingly focused on connecting British fashion’s creative reputation with commercial opportunity, consumers, retailers and regional economies.

McQueen and Mulberry bring British heritage back to LFW

The return of Alexander McQueen from Paris to London is one of the most significant developments for the new season. The British luxury house, which last showed in London in February 2016 for a one-season homecoming led by then-creative director Sarah Burton, has long been presenting its collections in Paris, making its decision to return a notable endorsement of the capital’s creative ecosystem and the role LFW can play in showcasing established British luxury to an international audience. On the return, the brand's CEO, Gianfranco D’Attis, said: “Bringing McQueen back to London Fashion Week is a meaningful moment for the house. London is where our story began and remains central to our identity.”

Mulberry is another British staple returning to the schedule as it enters a new creative chapter under Christopher Kane. His debut forms part of the brand’s 'Back to the Mulberry Spirit' strategy, which returns British creativity, craft and culture at the centre of its direction. CEO Andrea Baldo said: “London has long been a global platform for creativity and culture, making it the ideal stage to debut the Mulberry by Christopher Kane collection.” The presence of both houses gives LFW that much needed weight at the luxury end of the market, something it has long struggled with, while reinforcing the BFC’s efforts to ensure British fashion can combine creative influence with sustainable commercial growth.

A broader schedule brings fashion and retail closer together

The wider schedule continues to bring together established British names including Burberry, Erdem, Richard Quinn, Roksanda and Simone Rocha with NewGen designers and newer international talent. Marks & Spencer, however, represents a particularly notable addition because of its position outside the traditional luxury and designer fashion-week model. The department store's first official LFW show will coincide with its centenary and will use a “see now, buy now” format, allowing customers to purchase the collection immediately online and in stores.

“At M&S we focus on designing clothes with style, quality and value, and making fashion accessible to all,” said Stuart Machin, the retailer's CEO. He added that “customers can shop the collections online or from M&S stores across the UK". The approach provides a direct link between runway exposure and retail, removing the typical delay between a collection being presented and becoming commercially available. Its involvement points to LFW's mission to position itself as a platform that can drive customer engagement and sales, while also providing industry visibility where needed.

The runway is becoming more experiential

The shift towards a broader and more consumer-facing fashion week can also be seen elsewhere. Swedish fashion giant H&M is returning with a reimagined show developed with Nick Knight and Showstudio, Ebay will stage a catwalk focused on pre-loved fashion, J.L-A.L will combine its fashion presentation with an immersive experience, and the 5000 showcase will incorporate a sound bath. Selfridges will also spotlight a curated edit of British designers.

Such presentations reflect an evolving trend seen across global fashion weeks to stage productions that provide something beyond the clothes themselves, whether that be through entertainment, culture, participation or a stronger connection with the consumer. That gives retailers more opportunities to use LFW as part of their own storytelling and customer engagement strategies, while further supporting the BFC’s ambition to expand fashion week into a broader cultural platform.

Fashion Britain takes LFW beyond London

The biggest change to LFW’s structure could come through Fashion Britain, which will bring more than 1,000 events to London, Manchester, Liverpool, Newcastle, Bristol, Dundee and Edinburgh. Rather than simply making LFW bigger, the initiative addresses the concentration of investment, talent and opportunities in London, a long-standing challenge for the UK fashion industry, despite the strength of creative and fashion communities across the country.

The initiative forms part of the BFC 2030 strategy's 'Decentralise to Amplify' pillar. Retailers including Westfield, Liverpool One, Fenwick, Ebay and Marks & Spencer will participate, giving businesses across different regions a direct role in the programme.

“It’s vital that we recognise, celebrate and invest in talent wherever it exists across the UK,” said Laura Weir, who was appointed CEO of the BFC last year. “Fashion Britain is about decentralising fashion, by creating stronger pathways for creativity, opportunity and growth in every part of the country.”

A strategic reset for the BFC

For the BFC itself, the upcoming LFW forms just part of a broader reset underway at the council. Its BFC 2030 strategy, outlined earlier this year, is built around access, creativity and growth, with a greater emphasis on commercialising British fashion and creating the conditions for designers and businesses to scale. That direction will now continue under incoming chair Pavita Cooper, who takes over from David Pemsel on October 1, following the announcement of her appointment this week.

Cooper brings experience from senior roles at Lloyds Banking Group and Christie’s and currently sits on the boards of The Old Vic and The King’s Trust. She said: “My priority will be to champion fashion as an important driver of UK growth and help strengthen the environment in which British designers, entrepreneurs and businesses can start, scale and compete globally.” Caroline Issa has also been appointed deputy chair, adding further industry expertise to the BFC’s leadership team.

What retailers should watch this season

For retailers, LFW SS27 will be worth watching for three reasons. The return of British luxury names such as McQueen and Mulberry strengthens London’s international and heritage credentials, while the increasing commercialisation of the runway, through Marks & Spencer's see-now-buy-now model and Ebay's focus on resale, demonstrates how fashion week can connect directly with retail propositions. At the same time, Fashion Britain is expanding the audience and geography of LFW, bringing activity into regional cities and placing retailers closer to the centre of the programme.

The coming edition will therefore be an early test of whether the BFC can turn LFW into the kind of high-impact growth platform it is striving for in BFC 2030, with the capability to merge British creativity with commerce, culture, consumers and regional economies.

BFC
LFW
SS27